You can use both VST plug-ins as well as Audio Unit plug-ins in the same session, and Audition for Mac comes with one of the only true editors for BWF metadata that I know of in an audio editor.īut as mentioned, there are issues. A new history window lets you go back in time and undo across several steps in one go, rather than backing through them one at a time. For example, Audition for Mac lets you to work on multiple sessions simultaneously, making the process of moving and sharing elements between projects a whole lot faster. However, there are several very pleasant surprises over version 3. But then again, I’m old now and YMMV (your mileage may vary). All in all, the color schemes are a bit too dark and monochrome for my tastes, and somewhat hard to read as a result. Fortunately you can adjust the color scheme as a preference, although the only control that has a wide range of effects on the UI is the Brightness slider. very trendy but mostly either too subtle or hard to read. It looks like After Effect and some other video programs. The default scheme features a darkish gray background with light-gray text.
Since much of what was re-written in Audition for Mac was the UI, it’s no surprise that the color schemes are different. Besides, iTunes does a magnificent job of converting linear wave files to mp3, so why reinvent the wheel? Adobe is thinking, correctly I believe, that most music and sound files are shared digitally, reducing the need for CDs. For example, it is not possible to burn a CD directly from Audition for Mac. Along the way some features have changed, and some have stayed the same. They’ve kept the core DSP code from Audition 3, and re-written just about everything else, most notably the UI (user interface). Adobe is very upfront about the shared code between Audition Mac and the upcoming Audition 4 for Windows (yes, the names are different at the moment, at least until the marketing crew decides which way they’re going to go with that).
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